Selected Reviews
& Criticism

︎  #QCLit in English  #SoundArt  #Poetry
#ExperimentalMusic  #WomenInMusic  #Resistance




Arc Poetry Magazine  #Poetry

Forthcoming: An Ocean of Static by J. R. Carpenter (Penned in the Margins, UK)
Spring 2019. Print.


Herizons Magazine  #WomenInMusic  #Resistance

We.Animals. by Lila Rose, CD (Independent)
Winter 2017. Print.

Deep Diversity: Overcoming Us vs Them by Shakil Choudhury (Between the Lines)
Spring 2017. Print.

Girl in a Band: A Memoir by Kim Gordon (Harper Collins)
Summer 2015. Print.

King Kong Theory by Virginie Despentes. Translated by Stéphanie Benson. (Feminist Press)
Winter 2012. Print.

Life Stages and Native Women: Memory, Teachings and Story Medicine
by Kim Anderson (University of Manitoba Press)
Winter 2013. Print

Pink Noises: Women in Electronic Music & Sound edited by Tara Rodgers (Duke University Press)
Spring 20111. Print.
 



Montreal Review of Books blog  #QCLit

The Company of Crows by Karen Molson (Linda Leith Publishing)
January 2016. Online. 

21 Days in October by Magali Favre. Translated by Arielle Aronson. (Baraka Books)
June 2014. Online.

A Stone in My Shoe: In Search of Neighbourhood by George Ellenbogen (Véhicule Press)
May 2014. Online.

    



Various  #SoundArt  #ExperimentalMusic

Playing With Words: The Spoken Word in Artistic Practice, edited by Cathy Lane (Cornerhouse Publications) 
Musicworks Magazine, Summer 2010, No 107. Print & online.

Suoni Per Il Popolo Festival. Montreal, Quebec. June 3–30, 2009.
Winter 2009. No 105. Print & online.

Between sounds and abstractions by Catherine Béchard & Sabin Hudon.
Exhibition brochure essay on their works “Au bout du fil...” and “The Voice of Things.”
Critical Distance Vol 11.2, 2006. Aceartinc., Winnipeg. Print.

Sound Voice Perform by Christof Migone, book/CD (Errant Bodies Press) 
Fall 2005, No 93. Print & online.  
   
DEANNA RADFORD  |  © 2019.